The Studio

Post-production facility. Vocal booth. File-based and remote sessions standard.

Monitoring and acoustics

Accurate monitoring is the foundation of every mix decision. The studio is built around the Barefoot Footprint 03 — a reference-grade point source monitor used across professional broadcast and post facilities — in a room treated to GIK Acoustics professional standard.

Recording and voiceover

French and English voiceover, ADR and dialogue recording in a dedicated, acoustically isolated vocal booth. Multiple microphone options to suit voice and material.

Conversion, DAW and workflow

Pro Tools & Logic Pro

All post-production, editing and mixing built on Logic Pro — refined with Auriteq Flow hardware control for fast, precise editing. Sessions delivered in Pro Tools format on request, for seamless handoff with any studio, vendor, or collaborator.

Subtitles

Subtitle creation, timed text and audio-to-picture synchronisation. SRT, VTT and broadcast timed text export.

Conversion

RME Audio interface. Ferrofish Pulse 16 for multi-channel stem conversion and export.

Sound design and foley

An extensive collection of hardware effects, tape machines and acoustic tools used as sound design instruments — not musical equipment. The Sony TC-630 reel-to-reel, Hologram Electronics Microcosm, and a curated selection of signal-processing devices provide a palette of textures unavailable through software alone.

Built for broadcast post-production

Every decision in this studio — monitoring, conversion, preamps, acoustics — is made for one purpose: delivering broadcast-quality audio with bilingual capability that most facilities cannot match.

20+

Years professional audio experience

7

Integrated post-production services

2

Languages — natively, in one studio

Bilingual from recording to delivery

French and English handled natively throughout — vocal booth recording, dialogue editing, M&E stems and subtitling. One studio manages the full bilingual pipeline without third-party involvement.

RME conversion — reference accuracy

RME Digiface with Ferrofish Pulse 16 for multi-channel conversion. The same conversion standard used in professional broadcast facilities — not consumer-grade interfaces.

M&E stems built into every session

The session architecture is set up for localisation export from day one — not retrofitted at the end. International deliverables are ready when the mix is ready.

Hardware sound design — not just plugins

Sony TC-630 reel-to-reel, Hologram Microcosm and JRF C-Pro+ contact mic provide a palette of textures that no plugin library replicates — particularly for foley and atmospheric sound design.

“Great localisation is invisible. The audience hears the story, not the process.”

Fred Cresson, founder

Working with us remotely

File exchange

Send rushes, EDL or stems via any file transfer service. We return broadcast-ready deliverables.

Remote attendance

Attend sessions via Zoom. Listen in, give notes, approve in real time without travelling.

Worldwide

UK and international clients. All time zones accommodated. File-based workflows are standard for all projects.

Location

Conveniently located in North Wales, within easy reach of Manchester, Liverpool, Leeds and Birmingham, and providing services to clients across the UK and internationally.Accessible from Manchester, Chester and the wider North West of England. Remote sessions available worldwide.

Delivery standards

EBU R128

European broadcast loudness standard for all UK and European TV delivery.

Streaming platforms

Spotify, Apple TV, Netflix, YouTube loudness targets all supported.

Format flexibility

WAV, AIFF, MP3, AAC, SRT, VTT, M&E stems. All standard broadcast formats.

Custom

Language, subtitle format, and stem configuration tailored to your project. Tell us what you need.

Ready to start a project?

UK and international enquiries welcome. We respond within one business day.